We recently published Nick Perilli’s surreal “An Ending.”

Here, we ask him two questions about his story:

 

1) I love the implied weight of this story, this movie-scene ending, after ” the loss, the danger, the revenge and the lesson,” that makes it seem so much larger than it is. Do you think this couple went through the stereotypical movie chain of events before this unusual kiss, or was their story a stranger one all along?

My original intention was to make the ‘ending’ I allude to feel like a bit of a fairy tale ending, but I see a lot of movies so I’m not surprised that I unconsciously skewed it towards the bombast of film. Regardless, I do think this kiss is the very beginning of anything outside the norm in this couple’s story so far. We’re meeting them after the fade to black and after they’ve gone through all the story and character beats of your typical romantic drama movie or, yeah, maybe a light fairy tale. I think the weight of whatever they experienced is powerful for them, certainly, but probably not something that many of us looking in would find particularly interesting or original. So we enter their story just as things get truly interesting and strange for them — when their connection is tested by the very power of that connection. That’s just my take on it, though.

 

2) Speaking of their unusual kiss, really, where did you get this unusual idea? It’s so strange and creepy, and you tell it in such a beautiful way, I’m really curious where this came from!

Not to get too personal or anything, but my wife Britny and I sometimes just press noses together to show affection and one time we pretended we couldn’t pull them apart. We then had a pretty involved discussion about how we would manage to live our lives with the front our faces connected like that. This is a pretty typical conversation for us. Of course, I had to add some melancholy by bringing up the fact that our brain just ignores our noses so it might do the same to a person after a while. Scientifically, I don’t think that quite tracks. It makes for an interesting image, though, and I feel like most of my best work starts with an image I can twist that’s born from a personal connection like a conversation with my partner or something I see out of the corner of my eye while daydreaming at work.